ELEANOR OLIPHANT IS PERFECTLY FINE by Gail Honeyman

Finished Mo 6/24/19- June, 2019 selection for the Contemporary Book Club

I bought this as an E-book several months ago because the book was so expensive- new release.

UNRELIABLE NARRATOR:

From the book's page at wikipedia:

"Eleanor Oliphant, the novel's protagonist and narrator, lives in Glasgow and works as a finance clerk for a graphic design company. She is 29 at the novel's outset. She is academically intelligent, with a degree in Classics and high standards of literacy, and every day she completes the Daily Telegraph crossword during her lunch break. However, she is socially awkward and leads a solitary lifestyle. She has no friends or social contacts, and spends every weekend consuming two bottles of vodka. She takes no interest in her appearance, and has not had her hair cut since she was 13. She does not consider that she has a problem. She repeatedly describes herself as "absolutely fine", and when moments of obvious awkwardness arise in her interactions with others (as they frequently do), she tends to blame the other person's "underdeveloped social skills". Her work colleagues regard her as a bit of a joke, and refer to her as "Wacko Jacko" or "Harry Potter"; she regards them as "shirkers and idiots".

Clues gradually emerge to a troubled past. Eleanor has a badly scarred face; knows nothing about her father; spent much of her childhood in foster care and children's homes; and, as a student, spent two years living with an abusive boyfriend who regularly beat her. Twice a year she receives a routine visit from a social worker to monitor her progress. Her mother now appears to be confined to an unidentified institution: she phones Eleanor for a 15-minute conversation every Wednesday evening, and it is apparent that she is both vindictive and manipulative.

Two developments drive forward the narrative. The first is that Eleanor attends a concert (having won tickets in a raffle), and develops a crush on Johnnie Lomond, lead singer in a local band: she becomes convinced that he is the "love of [her] life" and "husband material". She starts to follow his Twitter feed, discovers where he lives, and visits his building. In anticipation of meeting him, she begins an unprecedented regime of personal grooming: she has a bikini wax, and later a manicure and haircut, buys new clothes, and visits a Bobbi Brown beauty store for makeup advice. The second development is that, on leaving work one day with a new colleague, Raymond Gibbons, they witness an elderly man, Sammy Thom, collapse in the street: at Raymond's insistence, they call an ambulance, and help save his life. They are subsequently drawn into a series of encounters with Sammy and his grateful family, and in the process an embryonic friendship grows between Eleanor and Raymond.

Eleanor attends a long-anticipated concert by Johnnie Lomond, certain that this is the moment at which they will meet, and the pieces of her life will start to fall into place. Instead, it is a disaster. First, she finds that she is hidden in the crowd, and that he is quite unaware of her presence. Second, at one point, to fill a gap in the performance, he bares his buttocks to the audience, and she realises that he is not the refined soul-mate she had taken him for. And finally, the dry ice stage effects stir disturbing recollections of the traumatic fire that lies in her past. In despair, she retires to her flat for an intensive three-day vodka-drinking binge, and assembles the materials for suicide – a hoard of painkillers; a bread knife; and a bottle of drain cleaner.

She is saved by Raymond, sent round by their boss to investigate her absence from work. He cleans her up, puts her on the road to recovery, and continues to visit regularly over the following days. At his urging, she visits her GP, who refers her to a mental health counsellor. She eventually returns to work, where she is warmly greeted. Gradually, with the help of both the counsellor and Raymond, her full childhood story emerges, including many details that she had suppressed. When she was 10, her mother had started a house fire with the intention of killing both Eleanor and her four-year-old sister, Marianne. Although Eleanor survived, her mother and Marianne died. The weekly phone conversations with her mother have been entirely in Eleanor's imagination."

When I read this I was watching THE MILLENNIUM TRILOGY on Hoopla. I thought that 'Oliphant' would be an angry and scary character. Lizbeth Salander and Eleanor had very similar backgrounds, but Lizabeth went 'dark', and Eleanor went 'light'.

From wikipedia about the author:

"Gail Honeyman studied French language and literature at Glasgow University, before continuing her education at the University of Oxford for a postgraduate course in French poetry. However, she decided that an academic career was not for her and started a string of "backroom jobs", first as a civil servant in economic development and then as an administrator at Glasgow University".

This was a debut novel.